Iviva Olenick
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About Iviva
What People Say about Me
Where to Find Me
exhibitions and public displays of my embroideries
Resume
Collaborative community artmaking
Crowd-Seeded New York Indigo Farm
Wyckoff House Museum Artist Residency
Arts First at Bucknell University
Textile arts workshops: embroidery, natural dyeing, weaving and more
Su-Casa Residency
Ascent/Dissent: Flags for Peace
(In)Visible Textile Labor
Ongoing study and performance of textile crop cultivation and labor, including flax–u003elinen and multiple species of indigo–u003edye and resist embroidery.
States of Emergenc(y)e
(Un)spoken Family Histories
Translating family legend and myth, oral histories, written and photographic documents into textiles
Native/Immigrant City
Breaking the Glass Ceiling
Glass and fiber have numerous connotations. Here, I bend, twist and recontextualize words we commonly associate with glass (breakable, transparent, clear, fragile, delicate) and fiber (domestic, spinsterish, traditional, conservative, quaint, women’s work) to show how those same words reveal our assumptions about each other based on race, age, ethnicity, country of origin, native language.
Selfies and Latergrams
Were I So Besotted
The Brooklyn Love Exchange
Post-its/Tweets
@EmbroideryPoems
Weaving Hand Residency
Thanks to Cynthia Alberto, I’m a Resident Teaching Artist at Weaving Hand studio in Brooklyn. I’m having a blast! Using old shirts and fabric, I’m cutting these materials into yarn, which I use to weave. I’m also incorporating some text via embroidery and paint, adding to my @EmbroideryPoems project.
Embroidered Confessions
Embroidered Storytelling: Collaborative Art Making
Reach Out and Touch Me: Selfies and Ussies
FiberGraf
Custom embroideries
Curation
In addition to being a practicing visual artist, Iviva has curated exhibits of work by professional artists and student artists since 2014.
Indigo Planting at GrowNYC’s Governors Island Teaching Garden, 2018
Sarah Pettitt planting home-grown indigo into Teaching Garden soil, May 21, 2018.
Through Crowd-Seeded New York Indigo Farm, institutions and individuals collaborate to revive propagation of indigo. Tropical indigo was a former Southern cash crop. Critiquing historical narratives around Eliza Lucas Pinckney, heralded a feminist and mother of indigo, I sought to embody the labor intensity of indigo propagation and pigment extraction to heighten awareness of the enslaved laborers who made this unlikely process profitable. This performance of empathy relied on the participation of many collaborators, including the Brooklyn Botanic Garden’s Education Greenhouse, which germinated hundreds of seeds, and individuals all over NYC, who planted seeds on windowsills and backyards, and transplanted buds to Wyckoff Farm and GrowNYC’s Teaching Garden. Collaborator, Sarah Pettitt pictured. Photograph by Alan H. Hsu.
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Posted
September 30, 2018
in
Crowd-Seeded New York Indigo Farm
by
Iviva
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