Iviva Olenick
Text as textiles; Textiles as performance
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Collaborative community artmaking
Crowd-Seeded New York Indigo Farm
Wyckoff House Museum Artist Residency
Arts First at Bucknell University
Textile arts workshops: embroidery, natural dyeing, weaving and more
Su-Casa Residency
Ascent/Dissent: Flags for Peace
(In)Visible Textile Labor
States of Emergenc(y)e
(Un)spoken Family Histories
Native/Immigrant City
Breaking the Glass Ceiling
Selfies and Latergrams
Were I So Besotted
The Brooklyn Love Exchange
Post-its/Tweets
@EmbroideryPoems
Weaving Hand Residency
Embroidered Confessions
Embroidered Storytelling: Collaborative Art Making
Reach Out and Touch Me: Selfies –> Ussies
FiberGraf
Custom embroideries
Curation
(In)Visible Indigo
Plant(ation)
Myths and pathos of NYC of my childhood
Crowd-Sourcing Brooklyn Indigo Farming
Homage to Students, 2017 for Still Separate, Still Unequal at Smack Mellon
Delft tiles at Wyckoff House Museum
Pulling flax
Indigo Composting or Sukumo
Transplantation (plant migration)
Indigo from Seed to Dye, South Park Slope, Brooklyn
Cultivating Indigo from Seed to Dye in Brooklyn, NY
Ghosts of Textile History
Eliza Lucas Pinckney and South Carolina Indigo
Absence Vs Presence: South Carolina Indigo
Absence Vs Presence: South Carolina Indigo and Slave Trades
Subsumed: Indigo Labor
Earlier